When I worked on a poem, it was the most important thing in the whole world.  Until recently, practically all my poems were generated from my journals.  When I wanted to convert an entry to a poem, the time I spent working on it was the most important thing in the whole world.  I would lose myself in the poem.

Time would disappear.  I would first want to get it (the particular experience I wanted to capture) all down.  That was the function of my journal.

I was not afraid initially of being redundant.  I knew I could go back and eliminate the repetition.  Then I would go back, condense it, shape it, get it to the point I could not do any more with it.

Then I would read it to my wife and listen to her reaction and any suggestions she may have.  And go back to it.  This may happen the next day or whenever I had time although I did not want to lose interest in the poem.

I would again look at, refine it and polish it, see what I could eliminate, what got in the way, see if any phrase needed rearranging, if the timing was wrong.  I did not want to tamper too much with the original.  I would work with the poem until I could not do any more with it again.  I would have my wife hear it again.

I was very attuned to how it sounded out loud.  Did it need emphasizing here or there, did I like the way a word or phrase or line sounded to my ear.  At some point I considered the poem finished.  A lot of this was done by instinct.  Some poems I am never happy with.  And others I simply discard or look at some other time in the future.

Down the road I may venture to read it in public.  That takes a lot of courage.  Many do not make it that far.  Few get to the keyboard.  I have to feel the entry has possibilities.  That is somewhat the process of my poems.